Saturday, September 26, 2015

The Memory of a Deluge and the Surface of Water

Late Middle English: from Old French climat or late Latin clima, climat-, from Greek klima ‘slope, zone’, from klinein ‘to slope’. The term originally denoted a zone of the earth between two lines of latitude, then any region of the earth, and later, a region considered with reference to its atmospheric conditions.
Latitudes and Longitudes are imaginary lines. Atmosphere is invisible. Climates affect us, nonetheless, in unknown ways. 

Floods, quakes, winds but also capital and guns have altered geographies and disrupted memories. We live in an engineered climate today; created and destroyed by opposing political wills, pointless perversity, fossilized ideas, new technology, laughable exaltations, fear psychosis, new medical disorders, plastic flowers, fake encounters, torture labs, frothing drains. Snow in summers. The desire for the new world is conflicted between creation and destruction.

We wish to explore artistic renditions and vocabularies of damages and fissures that survive in such climates.
Maraa in collaboration with 1 Shanthi Road is proud to present

The Memory of A Deluge and the Surface of Water
a Collection of Text and Image Fragments by Art Students in the Srinagar Art College, Kashmir in the wake of the destruction of their College in a Flood in Autumn, 2014.

The deluge of September 2014 wrecked havoc in the valley of Kashmir. It besieged the homes of people, drowned the hearts of lovers, stormed the minds of poets, assaulted everything, everyday, while the waters rose. The memory of rising water remains embedded in everyone's memory in Kashmir, and has become impossible to forget or overcome.

This is what we celebrate here, in these short texts that the students of the Art College at Srinagar wrote, invented and performed after they left the flood in Kashmir behind them. For many months they travelled, with images of objects that had emerged from the flood waters in Kashmir. These images and memories of what the flood waters left in their wake became anchors for their practice, their education, their future as artists.
Join us for the exhibition, followed by a discussion with faculty and students from the college. 

Sunday, September 20, 2015

Pre- and Early Chalukya Sculptures in Karnataka: New Research

Pre- and Early Chalukya Sculptures in Karnataka: 
New Research

a lecture by
Raghavendra Kulkarni
Art Historian, CKP, Bangalore

About the Talk: The presentation looks at new research in the pre- and early Chalukyan sculptures in Karnataka and their iconographic and stylistic influences. The introduction of Sanskritic culture, followed by the introduction of Jain and Buddhist faiths in the South in general and particularly in ancient Karnataka had left a strong religious influence. The artistic nuances manifested here were very interesting from the point of view of their style and also form. The sculpture as a result of the change developed with unique iconographic features. Some of these were common to other contemporary schools, but some have definite uniqueness. The sculptures that are datable to the Post-Maurya and Pre Chalukya and early Chalukya will be taken as the examples in the presentation. The early Chalukyas who ruled from ancient Vatapi-Badami in Bagalkot district were pioneers in introducing the new forms and features in sculptural art. Creativity and texts go hand in hand, where some unique sculptures were introduced for the first time in Indian art history.

About the Speaker: Raghavendra Rao.H.Kulkarni is Professor of Art History and Head of Department at the College of Fine Arts, Karnataka
Chitrakala Parishath, Bangalore. He has extensively worked on Pre- and Early Chalukya sculptural art and was awarded with a PhD Degree from Mysore University for the same subject. His published books include Pre- and Early Sculptural Art in Karnataka- Origin and Development ( 2010), Kinnala Art (1992), Early Sculptures in Karnataka (2011), and Artists’ Impressions (2011) on Yusuf Arakkal. He has also published over 50 research papers on sculptures, architecture and mural traditions of Karnataka. He is presently working on Narrative Art in Karnataka Temples, and editing the Encyclopaedia of Visual Art in Kannada, being published by IBH Publications, Bangalore. He is Co-Editor of the Prof. Ratan Parimoo Felicitation Volume, to be released in 2016.